--- Forwarded Message from "M. Tandy" <[log in to unmask]> ---

>Date: Wed, 20 Feb 2002 15:13:19 -0800 (PST)
>From: "M. Tandy" <[log in to unmask]>
>To: Language Learning and Technology International Information Forum    <[log in to unmask]>
>Subject: Re: LLTI Digest - 11 Feb 2002 to 12 Feb 2002 (#2002-20)
>In-Reply-To: <[log in to unmask]>

------------------
>From: Mary Fetherston <[log in to unmask]>
>To: Language Learning and Technology International Information    Forum
<[log in to unmask]>
>In-Reply-To: <[log in to unmask]>
>
> Rachel,
>
> Hmmmm.  We got permission for both A votre tour and Parliamo Italiano in
> the Fall.  I wonder if it is peculiar to this text, maybe the author
> doesn't want to allow it?  I certainly hope it is not a trend.
>
> Mary


Rachel, et. al.,

This sounds strange, as it's completely the opposite of our experience
with HM and the Nakama series.  Last year we requested permission to use
Nakama I & II audio materials for UW password-protected use on the Web,
and they sent us all the CDs gratis.  However, we've been using Nakama
since it was piloted a few years ago, when we also did HM some favors.
I've had no trouble with them at all.

Michael


---------------------------------------------------------------
Michael Tandy
Staff Associate, Dept. of Asian Languages and Literature
Language Learning Center, University of Washington
http://depts.washington.edu/llc/



on 2/19/02 5:51 PM, LLTI-Editor at [log in to unmask] wrote:
> --- Forwarded Message from "Rachel E. Saury"
<[log in to unmask]>
> ---
>> Date: Tue, 19 Feb 2002 09:38:03 -0500
>> To: Language Learning and Technology International Information Forum
>> <[log in to unmask]>
>> From: "Rachel E. Saury" <[log in to unmask]>
>> Subject: Houghton Mifflin licensing agreeemnt
>> In-Reply-To: <[log in to unmask]>
>
> ------------------
> Dear friends,
>
> I hope this finds all my IALL colleagues well these days!  I haven't
been
> in circulation much in the past year, but think of you often!
>
> I'm writing to ask for other people's opinions about and experiences
with
> Houghton Mifflin when negotiating licensing agreements for audio
materials.
> Our Japanese program uses Nakama, by Makino et al.  We have recently
> received a notice from them that we are not allowed to disseminate
Nakama
> materials outside of the language laboratory AND that we cannot alter
the
> materials in any way.
>
> We find their policy draconian and counter to Educational Fair Use.  Our
> first year Japanese instructor, for instance, would like to be able to
use
> small segments of the audio materials in the Divace (Tandberg) AACC
> format.  This means that she takes small sound bites from the audio
> materials and puts them into a ready-made template available with the
> Divace that enables students to record themselves, to hear their
recording
> and to be forced to hear the master recording a second time.
>
> Further, we are moving towards web-based access for as much of our audio
> materials as possible. This will be accomplished through a course
> administration tool called Mallard.  All materials will be password
> protected.
>
> Do you have any similar experiences with HM?  Any suggestions?  Is there
> any way IALL can help negotiate with these companies to come into the
21st
> century in their thinking about the educational uses of these materials?
>
> Thank you!
>
> Rachel Saury
>
>
> Rachel E. Saury, Ph.D.
> Director, Arts & Sciences Center for Instructional Technologies
> Lecturer, Department of Slavic Languages and Literatures
> P.O. Box 400784, Cabell 219
> University of Virginia
> Charlottesville, VA 22904-4784
> 434-924-6847 ph.
> *********************************************************
> May the light of awakened mind become apparent. Ven. Dhyani Ywahoo,
Etowah
> Cherokee